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What Would A Girl Steve From Stranger Things Look Like As A Girl With Makeup

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Stranger Things
Flavor 1
Stranger Things season 1.jpg

Promotional poster
Starring
  • Winona Ryder
  • David Harbour
  • Finn Wolfhard
  • Millie Bobby Brown
  • Gaten Matarazzo
  • Caleb McLaughlin
  • Natalia Dyer
  • Charlie Heaton
  • Cara Buono
  • Matthew Modine
Country of origin United States
No. of episodes 8
Release
Original network Netflix
Original release July 15, 2016 (2016-07-15)
Flavor chronology

Next →
Season 2
List of episodes

The outset season of the American science fiction horror drama tv series Stranger Things premiered worldwide exclusively via Netflix'southward streaming service on July 15, 2016.[1] The serial was created past The Duffer Brothers who are as well executive producers along with Shawn Levy, and Dan Cohen.

The starting time season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Dark-brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received universal acclamation, particularly for its originality, characterization, visuals, humor, and interim (particularly that of Ryder, Harbour, Wolfhard, Brown, and Modine).

Premise [edit]

The first season begins in November 1983, when researchers at Hawkins National Laboratory open a rift to the "Upside Downward", an alternate dimension that reflects onto the real world. A monstrous humanoid beast escapes and abducts a boy named Will Byers and a teenage daughter named Barbara Holland. Volition'southward mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same fourth dimension, a immature psychokinetic girl who goes by the name "11" escapes from the laboratory and assists Will's friends, Mike, Dustin, and Lucas, in their own efforts to find Will.[2]

Bandage and characters [edit]

Principal cast [edit]

  • Winona Ryder equally Joyce Byers[3]
  • David Harbour equally Jim Hopper[3]
  • Finn Wolfhard as Mike Wheeler[four]
  • Millie Bobby Chocolate-brown[4] as Eleven ("El")
  • Gaten Matarazzo as Dustin Henderson[iv]
  • Caleb McLaughlin equally Lucas Sinclair[4]
  • Natalia Dyer as Nancy Wheeler[4]
  • Charlie Heaton as Jonathan Byers[iv]
  • Cara Buono as Karen Wheeler[5]
  • Matthew Modine as Martin Brenner[6]

Recurring [edit]

  • Joe Keery as Steve Harrington[7] [8]
  • Shannon Purser as Barbara "Affront" Kingdom of the netherlands[9]
  • Noah Schnapp as Volition Byers
  • Ross Partridge as Lonnie Byers[10]
  • Rob Morgan as Officeholder Powell
  • John Paul Reynolds as Officer Callahan
  • Randall P. Havens every bit Scott Clarke
  • Aimee Mullins as Terry Ives[11]
  • Catherine Dyer every bit Connie Frazier
  • Peyton Wich equally Troy[12]
  • Cade Jones as James
  • Chester Rushing every bit Tommy H.
  • Chelsea Talmadge as Carol
  • Tinsley and Anniston Price as Holly Wheeler
  • Chris Sullivan as Benny Hammond
  • Tobias Jelinek every bit lead amanuensis
  • Susan Shalhoub Larkin as Florence ("Flo")

Episodes [edit]

Production [edit]

Development [edit]

Ross (left) and Matt Duffer, the creators of the series

Stranger Things was created by Matt and Ross Duffer, known professionally equally The Duffer Brothers.[13] The two had completed writing and producing their 2015 picture Subconscious, which they had tried to emulate the style of M. Nighttime Shyamalan, however, due to changes at Warner Bros., its distributor, the movie did non encounter a wide release and the Duffers were unsure of their future.[14] To their surprise, tv producer Donald De Line approached them, impressed with Subconscious 'due south script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production, so that when they finished, they felt they were gear up to produce their own television series.[15]

The Duffer Brothers prepared a script that would essentially be similar to the series' actual airplane pilot episode, along with a 20-page pitch book to assist shop the serial around for a network.[xvi] They pitched the story to a number of cable networks, all of which rejected the script on the footing that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to driblet the children and focus on Hopper'southward investigation in the paranormal.[15] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their function and purchased the rights for the series, giving full authorship of it to the brothers. Later on reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[17] the show was afterward announced for a planned 2016 release by Netflix in early Apr 2015.[xviii] The Duffer Brothers stated that at the fourth dimension they had pitched to Netflix, the service had already been recognized for its original programming, such as Firm of Cards and Orange Is the New Blackness, with well-recognized producers behind them, and were ready to start giving upcoming producers similar them a hazard.[16] The brothers started to write out the series and brought Levy and Cohen in equally executive producers to start casting and filming.[19]

The series was originally known every bit Montauk, every bit the setting of the script was in Montauk, New York and nearby Long Beach locations.[18] [20] The brothers had called Montauk as information technology had further Spielberg ties with the picture show Jaws, where Montauk was used for the fictional setting of Amity Island.[21] After deciding to modify the narrative of the series to accept place in the fictional boondocks of Hawkins instead, the brothers felt they could now do things to the town, such every bit placing it under quarantine, that they actually could non envision with a existent location.[21] With the change in location, they had to come up up with a new title for the series under direction from Netflix'south Ted Sarandos so that they could outset marketing it to the public. The brothers started past using a copy of Stephen King'southward Firestarter novel to consider the title's font and appearance, and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another Male monarch novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this concluding title.[22]

Writing [edit]

The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a male parent goes through when his daughter is kidnapped, and expand it out over viii or so hours in a serialized television approach. As they focused on the missing kid aspect of the story, they wanted to innovate the idea of "childlike sensibilities" they could offering, and toyed around with the idea of a monster that could consume humans. The brothers idea the combination of these things "was the all-time thing e'er". To introduce this monster into the narrative, they considered "baroque experiments we had read virtually taking place in the Cold War" such as Project MKUltra, which gave a style to footing the monster's existence in science rather than something spiritual. This also helped them to make up one's mind on using 1983 as the time menses, as it was a year before the picture show Red Dawn came out, which focused on Cold War paranoia.[15] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[xv] [23] crafting information technology in the realm of science fiction and horror.[24] The Duffer Brothers have cited every bit influence for the bear witness (amongst others): Stephen King novels; films produced past Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand up by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Colina and The Last of Us.[22] [25] [26] [27] [28] [29] [30] [31] [32]

With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the 8-episode approach. They had been concerned that a 22-episode flavor on broadcast television would exist hard to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less fourth dimension available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and carelessness the characterization.[xvi] Within the eight episodes, the brothers aimed to make the starting time flavour "feel like a big movie" with all the major plot lines completed then that "the audition feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and at that place'southward a lot of dangling threads at the cease", something that could be explored in further seasons if Netflix opted to create more.[33]

Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus plant it easy to write for Mike and his friends, and particularly for Affront.[22] Joyce was fashioned after Richard Dreyfuss's character Roy Neary in Shut Encounters of the Third Kind, every bit she appears "admittedly bonkers" to anybody else every bit she tries to find Will.[34] Other characters, such equally Billy in the second flavor, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took farther inspiration from Stephen King for these characters, every bit King "always has really great human villains" that may be more malicious than the supernatural evil.[35]

Casting [edit]

The Duffers bandage David Harbour as Sheriff Hopper believing this was his opportunity to play a lead graphic symbol in a piece of work.

In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed main of constabulary, respectively.[3] The brothers' casting managing director Carmen Republic of cuba had suggested Ryder for the role of Joyce, which the 2 were immediately drawn to considering of her predominance in 1980s films.[15] Levy believed Ryder could "wretch upwardly the emotional urgency and yet discover layers and nuance and different sides of [Joyce]". Ryder praised that the prove'south multiple storylines required her to act for Joyce as "she'south out of her mind, but she'southward actually kind of onto something", and that the producers had faith she could pull off the difficult function.[36] The Duffer Brothers had been interested in Harbour earlier, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero grapheme".[22] [37]

Additional casting followed 2 months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo equally Dustin, Caleb McLaughlin as Lucas, Natalia Dyer as Nancy, and Charlie Heaton as Jonathan.[four] In September 2015, Cara Buono joined the cast every bit Karen,[5] followed by Matthew Modine as Martin Brenner a month later.[6] Additional cast who recur for the first season include Noah Schnapp as Will,[four] [8] Shannon Purser as Barbara "Barb" Holland,[ix] Joe Keery equally Steve Harrington,[7] [8] and Ross Partridge as Lonnie,[ten] among others.

Actors auditioning for the children roles read lines from Stand Past Me.[fifteen] The Duffer Brothers estimated they went through most a k different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s menstruum and hands filled the role, while they constitute Matarazzo's audition to be much more than authentic than virtually of the other audition tapes, and selected him after a single viewing of his audition tape.[16] Every bit casting was started immediately afterward Netflix greenlit the prove, and prior to the scripts existence fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done but afterward the starting time script was completed, and subsequent scripts incorporated aspects from these actors.[33] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before equally they considered him the hardest character to write for given his limited appearances inside the narrative.[34]

Filming [edit]

The brothers had desired to film the series around the Long Island surface area to match the initial Montauk concept. Withal, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Isle in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew upward in North Carolina, plant many places that reminded them of their own childhoods in that area, and felt the area would piece of work well with the narrative shift to the fictional town of Hawkins, Indiana.[21]

The filming of the first season began on September 25, 2015 and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy treatment the direction of individual episodes.[38] Jackson served equally the ground of the fictional boondocks of Hawkins, Indiana.[39] [xl] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry Loftier Schoolhouse in Stockbridge, Georgia, for the middle and high school scenes,[41] Emory University's Continuing Education Section, the quondam urban center hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Betoken Library and East Point Commencement Baptist Church building in E Signal, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[42] Set work was done at Screen Gem Studios in Atlanta.[42] The series was filmed with a Red Dragon digital camera.[34] Filming for the showtime season concluded in early 2016.[39]

While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was non necessarily to fill the work with these references, simply instead make the series seem to the viewer equally a 1980s picture show.[22] They spent little fourth dimension reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely washed but were found to be very comparable, as highlighted by a fan-made video comparing the testify to several 1980s works side by side.[15] [43] Matt commented on the video that "Some were deliberate and some were subconscious."[15] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their tv set, and imbuing information technology with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[22]

The brothers attributed much of the 1980s feel to set up and costume designers and the soundtrack composers that helped to recreate the era for them.[15] Lynda Reiss, the head of props, had most a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with just a few pieces, such as the Dungeons & Dragons books fabricated every bit replicas.[44]

Visual furnishings [edit]

To create the aged effect for the series, a moving-picture show grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audition, but not to necessarily make the bear witness violent or gory, following in line with how the 1980s Amblin Entertainment films collection the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were non agape to push into more scary elements, particularly towards the stop of the offset season.[34] The brothers had wanted to avert whatever calculator-generated effects for the monster and other parts of the series and stay with practical effects. However, the half-dozen-month filming time left them little time to program out and exam applied effects rigs for some of the shots. They went with a heart ground of using synthetic props including 1 for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the offset flavor was completed the week before it was released to Netflix.[15]

The title sequence uses closeups of the letters in the Stranger Things title with a carmine tint confronting a black background equally they slide into place within the title. The sequence was created past the studio Imaginary Forces, formerly part of R/GA, led by artistic director Michelle Doughtey.[45] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy groundwork music for the titles, besides as the various volume covers from Rex and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the bear witness's titles, primarily using a typographical sequence. They took inspiration from several championship sequences of works from the 1980s that were previously designed past Richard Greenberg nether R/GA, such as Altered States and The Dead Zone. They as well got input from Dan Perri, who worked on the title credits of several 1980s films. Diverse iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming, and took about a month off during the filming process to let the producers get immersed in the evidence and come back with more input. Initially they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The concluding sequence is fully figurer generated, but they took inspiration from testing some practical furnishings, such as using Kodalith masks as would have been done in the 1980s, to develop the advisable filters for the rendering software. The private episode championship cards used a "fly through" arroyo, similar to the moving picture Bullitt, which the producers had suggested to the studio.[46]

Music [edit]

The Stranger Things original soundtrack was composed past Michael Stein and Kyle Dixon of the electronic band Survive.[47] It makes all-encompassing apply of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[48]

According to Stein and Dixon, The Duffer Brothers had been fans of Survive'due south music, and used their song "Chant" for the mock trailer that was used to sell the show to Netflix.[47] [49] Once the prove was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production squad with dozens of songs from their ring'due south by to gain their interest, helping to land them the role.[47] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[49] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting pick.[49] [50] The testify's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the product staff, who idea that with some reworking would exist skilful for the opening credits.[47]

The start flavor's original soundtrack, consisting of 75 songs from Dixon and Stein split across 2 volumes, was released past Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were bachelor on September sixteen and 23, 2016.[51] [52]

In add-on to original music, Stranger Things features period music from artists including The Clash, Toto, New Lodge, The Bangles, Greenhorn, Repeat and the Bunnymen, Peter Gabriel and Corey Hart, besides as excerpts from Tangerine Dream, John Carpenter and Vangelis.[52] [53] In particular, The Clash's "Should I Stay or Should I Get" was specifically picked to play at pivotal moments of the story, such equally when Will is trying to communicate with Joyce from the Upside Down.[52] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the flavour.[54]

Release [edit]

The first season consisted of xl minute long episodes which were released worldwide on Netflix on July 15, 2016,[55] in Ultra Hd 4K and HDR.[56]

Home media [edit]

The first flavour of Stranger Things was released on a Blu-ray/DVD philharmonic pack exclusively to Target retailers on October 17, 2017, and the aforementioned for the 4K/Blu-ray combo pack on November xv, 2017, both of which includes vintage CBS-Play a joke on VHS-inspired packaging.[57] [58]

Stranger Things
Fix details Special features
  • Format: Air conditioning-three, Blu-ray, DTS Surround Sound, Dubbed, NTSC, Subtitled, Widescreen
  • Language/Subtitles: English, Castilian
  • two:1 aspect ratio
  • four-disc set, 8 episodes
  • Comes with a collectible poster non available for buy separately from the fix.
  • Retro packaging designed to look similar a vintage CBS-Trick VHS cassette tape.
DVD release dates
Region 1 Region 2 Region four
October 17, 2017 (Blu-ray/DVD)
November xv, 2017 (4K/Blu-ray) 		TBA TBA

Reception [edit]

Audition viewership [edit]

As Netflix does not reveal subscriber viewership numbers for any of their original serial, Symphony Technology Group compiled data for the season based on people using software on their phones that measures tv viewing past detecting a plan's sound. Co-ordinate to Symphony, within the starting time 35 days of release, Stranger Things averaged ratings effectually fourteen.071000000 adults between the ages 18–49 in the U.s.a.. This made information technology the third most-watched flavour of Netflix original content in the U.Due south. at the time backside the first flavor of Fuller House and 4th season of Orangish Is the New Black.[59] In a September 2016 analysis, Netflix found that Stranger Things "hooked" viewers by the second episode of the starting time season, indicating that the second episode was "the first installment that led at to the lowest degree seventy percent of viewers who watched that episode to complete the entire first flavor of a show."[60]

In Baronial 2017, the marketing analytics business firm Jumpshot determined the flavour was the 7th-most viewed Netflix season in the beginning 30 days subsequently it premiered, garnering slightly more than 20% of the viewers that the second season of Daredevil received, which was the most viewed season according to Jumpstart. Jumpshot, which "analyzes click-stream data from an online panel of more than than 100meg consumers", looked at the viewing beliefs and activity of the company'due south U.S. members, factoring in the relative number of U.Southward. Netflix viewers who watched at least one episode of the season.[61]

Critical response [edit]

Review aggregator Rotten Tomatoes gave the first season an approval rating of 97% based on 87 reviews and a weighted average score of viii.1/10. The site's critical consensus states, "Exciting, heartbreaking, and sometimes scary, Stranger Things acts as an addictive homage to Spielberg films and vintage 1980s television receiver."[62] Review aggregator Metacritic gave the starting time flavour a normalized score of 76 out of 100 based on 34 reviews, indicating "generally favorable reviews".[63]

IGN gave the score of 8 out of 10 and called the series "Groovy" maxim, "Stranger Things is an easy recommendation, offering viewers an atmospheric and endearing series that is a nostalgic throwback without feeling like a simple copy."[64] In a review of San Francisco Chronicle Dave Wiegand wrote: "Stranger Things reminds us of a time marked by a kind of no-strings escapism. And equally it does so, nosotros detect ourselves yearning for it because the Duffers have made it so irresistibly highly-seasoned. There may be other every bit corking shows to scout this summer, just I guarantee you lot won't have more fun watching any of them than you volition watching Stranger Things."[65] Joshua Alston of The A.V. Social club also reviewed it positively maxim, "Balancing style and substance is always challenging for a series like Stranger Things, but the bear witness is perfectly calibrated. It feels similar watching a testify produced during the era in which it's gear up, but with the craft of today's prestige boob tube."[66] Reviewing for HitFix, Alan Sepinwall said, "Over the class of the eight hours, the story and characters take on enough life of their own and then that the references don't experience self-indulgent, and so that the series tin be appreciated even if you don't know the plot of E.T. or the title font of Stephen King's early novels (a huge influence on the bear witness'due south own opening credits) by heart."[67]

Emily Nussbaum of The New Yorker besides applauded the serial and wrote, "This is astoundingly efficient storytelling, eight hours that pass in a blink, with even minor characters getting sharp dialogue, dark humour, or moments of pathos."[68] Television critic Mary McNamara of Los Angeles Times said, "For the most part, and in absolute defiance of the odds, Stranger Things honors its source textile in the all-time manner possible: By telling a sweet 'northward' scary story in which monsters are existent but so are the transformative powers of honey and fealty."[69] The Wall Street Journal 's Brian Kelly said, "Matt Duffer and Ross Duffer, brothers and the show's creators, have done their homework when it comes to '80s movie house. Whether you're a fan of John Carpenter's The Thing or The Goonies is more your speed, in that location'due south enough to similar in Stranger Things."[lxx] Angus McFadzean of Columbia University Press compared Stranger Things to The Goonies, Stand Past Me, Russkies, and E.T. the Actress-Terrestrial.[71]

[edit]

Before long afterwards its release, Stranger Things gained a dedicated fanbase. One area of focus from these fans was the character of Affront, the nerdy friend and classmate of Nancy who is taken and killed by the monster early in the season.[72] According to actress Shannon Purser, Barb "wasn't supposed to be a big bargain", and The Duffer Brothers had non gone into swell detail about the character since the focus was on finding Will. Yet, many fans sympathized with the grapheme, with Laura Bradley of Vanity Fair suggesting that these people found that Barb would be a similar misfit in guild, and "looks more like someone yous might really meet in real life" compared to the other characters, especially Nancy, in the series. A hashtag "#ImWithBarb" grew in popularity afterward the series' release, and several fan sites and forums were created to support her.[73] While Purser will non return for the second season, The Duffer Brothers used the real-life "Justice for Affront" move every bit inspiration for narrative at the start of the second flavour, with Nancy addressing the fact "that no one always cares about" Barb.[74] Purser and several media outlets took her nomination as Barb for Outstanding Invitee Actress in a Drama Series in the 69th Primetime Emmy Awards every bit achieving "justice for Affront", highlighting how well her graphic symbol was received.[75] [76] [77]

Another impact of the serial has been an increase need for Eggo waffles, as they are shown to be Eleven'due south favorite food in several episodes and are seen as a representation of the show.[78] The Kellogg Visitor, which manufactures Eggo, had not been part of the production prior to the first season'south release, but recognized the marketplace bear on of the series. It provided a vintage 1980s Eggo television advertisement for Netflix to employ in its Super Bowl LI commercial, and is looking to become more involved with cross-promotion.[79]

As role of its release on Netflix on Apr 14, 2017, the bandage of the rebooted version of Mystery Science Theater 3000 riffed on the commencement part of "Chapter 1" of Stranger Things.[80]

Accolades [edit]

References [edit]

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External links [edit]

  • Stranger Things on Netflix Edit this at Wikidata
  • Stranger Things at IMDb

Source: https://en.wikipedia.org/wiki/Stranger_Things_(season_1)

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